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Some settings in Plateau 2 can cause extremely loud feedback, potentially damaging your hearing or equipment. These are hidden behind "Enable Dangerous Settings" on the Extras page.
These options are not intended for regular use — they exist to give users full control.
Do not enable Dangerous Settings unless you have a limiter active or your system volume set extremely low. You have been warned.
If you encounter any bugs, crashes, or have trouble installing or using Plateau 2, please report them on the GitHub issue tracker:
👉 https://github.com/rubyswolf/iPlateau/issues
Providing detailed information such as your operating system, plugin host, and steps to reproduce the issue will help fix it faster. Thanks for your support!
If you'd rather watch a 15 minute video where I explain every feature in depth with live audio demos then there's a video here for you
Plateau 2 features two reverb instances, called tanks. Each tank has its own set of controls. Use the Tank Selector at the top of the interface to switch between them.
Each tank contains a left and right chamber that feed into one another, creating complex spatial interactions.
Controls how much of the original signal is mixed into the output.
Controls the output level of the tank.
Turns processing on or off for the selected tank.
Freezes the tank, making the reverb ring out forever.
Resets the tank, clearing any current reverb content.
Freezes both tanks at once. Represented by a ring and arrow pointing to the local freeze.
Clears both tanks at once. Represented by a ring and arrow pointing to the local clear.
The high-pass filter cutoff applied to the tank input.
Does not apply to send signals.
The low-pass filter cutoff applied to the tank input.
Does not apply to send signals.
Controls the delay lengths within the tank. Larger sizes produce longer, more spacious reverbs.
Controls the strength of all-pass filters that smear reflections for a smoother, more natural reverb.
Determines how long the reverb tail lasts.
Applies a high-pass filter inside the tank, reducing low-frequency decay.
Applies a low-pass filter inside the tank, reducing high-frequency decay.
Adds vibrato to the tank by modulating its internal delay times.
- Speed – Rate of modulation.
- Depth – Intensity of the modulation.
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Shape – Waveform of the modulation:
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0= sawtooth down -
0.5= triangle -
1= sawtooth up
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- Variance – Offsets modulation speed between left and right chambers to add stereo width.
Alters how the Size parameter works, allowing extremely short delays. This creates pitched resonances, similar to a resonant tube.
Adds all-pass filters before the input enters the tank, increasing diffusion.
Applies a delay before the tank processes the input.
Send bypasses this.
Replaces standard diffusion with nested all-pass filters for more intense smearing.
Controls the decay time of nested diffusion. Has no effect unless Nested Diffusion is enabled.
Offsets the delay times between the left and right chambers for stereo widening.
Offsets the modulation speed between the left and right chambers for additional stereo width.
Applies soft clipping to the tank output to prevent harsh peaks.
Controls the level of the input signal to the tank.
Send bypasses this.
Chooses which stereo channel(s) the input comes from — like pan, but for incoming signals.
Adjusts the width of the tank’s output:
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0%= mono -
100%= full stereo
Controls the panning of the tank’s output.
Routes the output of one tank into the input of another.
Sets the volume of the send between tanks (if enabled).
Adds a delay to the send between tanks.
Applies a high-pass filter to the send.
Applies a low-pass filter to the send.